Art & Design Graduate Catalogs
Theses from 1971
Techniques: Collage and Hodge-Podge, Margaret A. Bair
Painting and Structure, Lewis P. Brown
Triangular Mediation as an Approach to Creative Activity, Sharon C. Cairns
Ideas in Clay Incorporating Slab and Coil Forming Methods, Gerald W. Doerfler
The Graphic Mind, Deborah Eckart
The Progression of Light and Planes in Space, James R. Estes
Variations of the Addition of Thrown Forms to a Built-Up Form, Philip Terry Gieber
Function Versus Form : The Dichotomy of Sculptural Aesthetics, Michael F. Livingston
Discovering and Controlling Resist Methods as Related to Personal Fantasy Images, Marilyn L. Locke
Exploring the Relationship of Polyester Resin and Metal in a Sculptural Form, Gerald Moore
Graphic Progression Towards Color, Robert Lee Netherton Jr.
The Utilization of Spatial Relationships in Composition, Jane Rice
Evolution of Life Forms in Mixed Media Painting, Karen Schanou
My Work, 1970-1971, Earl William Shira III.
Integration of Organic and Geometric Structural Forms, Glenn G. Simmons
The Progressive Development of Line Control in Etching, Rita M. Smith
The Growth of Biomorphic Forms Through Sculpture, Robert B. Thompson
The Human Figure Expressed in a Variety of Materials and Sculptural Techniques, Allen G. Vap
A Trip to the Garden of Eden, Joe B. Wright
Theses from 1970
Experimental Line-Image Approach to Printmaking, Craig Calnan
Perceptual Proposition, Lynn D. Carlsgaard
Environmental Slab Compositions in Clay, Robert Channell
Sculpture and Jewelry: A Statement, Conrad J. Chlumsky
New Techniques of Spatial Illusion in Easel Painting, Paul H. Cott
Conceptual Question Through Environmental Suspension, Phillip Lee Elder
