Art & Design Graduate Catalogs
Theses from 1975
The Combination of Animal and Organic Forms in Wood, Charles L. Stevens
Exploring Organic and Appendant Clay Form, Linda Willis
Impressions in Serigraphy, Calvin E. Wineland
Theses from 1974
Metamorphosis to a Hollow Form, Juliet Hess Adolph
Curvilinear-Organic Shapes and Their Use Realistically and Non-Objectively, Charles R. Bonner
The Landscape Image on the Ceramic Surface and Various Selective Sculptural Materials, Greg Brantman
An Awareness of Existence, David E. Cross
"Stopping the World the Only Way I Know How", Jeffrey Charles Daniels
An Imaginative Interplay of Abstract and Literal Images Related to Landscapes and Rural Themes, Virgil Deges
Studies in Figurative Wood Sculpture, Kraig Dexter
Composition and Movement in Abstract and Figurative Painting, Kris Dexter
A relationship of idea and technique, Floyd Gibson
Mechanicalism and humanism in a sculptural form., Howard D. Jacobson II
The interaction of transparency in serigraph, Mary Kriegel
Exploration of figurative and social statements., Arlene Leikam
Variations of the Torso in a Sculptural Form, Clayton James Meier
Humanized container forms in clay which explore a contrast between thrown and handbuilt techniques, Elden G. Solt
Identities in life works, Patrick Treu
Art Therapy: a selective psychotherapeutic sample, Kent Von Schriltz
Theses from 1973
Paintings: Aspects of Figure Theme in Paintings, Eloise Bean
An Intuitive Approach to Manifestation of Visual Imagery, Barbara Boyd
Line, Symbolism and the Human Figure, John Buck Braden
Capturing the Final Image, Kenneth Alan Broky
Plexiglass and Light, Parvis V. Farahnak
