Art & Design Graduate Catalogs
Theses from 1968
The Creative Experience of Moving Forms and Colors in Tension as Executed in Wool, for a Wall Hanging or Rug, Margaret Burtscher
The Importance of Bold Flat Surfaces in Relation to Areas of Protrusion, Dennis L. Chegwidden
The Use of Form as a Point of Departure in the Creation of Organic Sculpture, Leo Joe DuBois
Expressions in Multiple Hand-Built Clay Forms, Sharon E. Du Pont
Harmony Between Mechanical and Organic Relationships in Painting, Douglass L. Freed
Expression Through Combinations of Metal and Clay, Donald R. Kelly
Expression in Joined Construction Wheel Thrown Clay Forms, Kenton D. Koch
The Nature of Significant Images, D. Paul Noah
Lid and Body Relationship to Wheel-Thrown Forms, Frank William Petersilie
Combining Hand-Built and Wheel-Thrown Elements in Clay Expression, Russell Schmaljohn
Subjective Symbolism in Painting, Dennis Thompson
The Alteration of Man-Made and Natural Forms Through the Use of Photomontage, Virginia A. Zimmerman
Theses from 1967
Relating Varied Ceramic Forms Through Surface Treatment, Vernon Lee Brejcha
Experiencing Art: A Curriculum Guide for the Elementary Schools of the Dominican Sisters, Mary Rebecca Otter Sr.
The Search for a Synthetic Structured Image, Gerald R. Richards
Relating Humanistic, Organic Forms to New Materials and Methods in Sculpture, Mary Francis Sinclair
Theses from 1966
Space Relationship in Form Incorporation Iconic Interpretations to Metal Sculpture, Jack E. Alumbaugh
Plastic Expression: Color, Image, Idea, Don A. Bass
Design in Wood Sculpture and Ceramic Forms from the Potters Wheel, Derrill Lee Castor
A Study in Graphic Techniques, Marie L. Dwyer
Kansas Landscapes Through Water Color Techniques, Gertrude E. Furney
Surface Variation of Wheel-Thrown Forms, Roger N. Hinz
Idea and Technique: "The Necklace", Betty R. Hochman
The Use of Form Relating to the Spiritual Humanistic Qualities of Sculpture, Alfred J. Kober
Continuity Between Glazes and Surface Patterns, Gary L. Kroeger
