Art & Design Graduate Catalogs
Theses from 1968
Expression Through Combinations of Metal and Clay, Donald R. Kelly
Expression in Joined Construction Wheel Thrown Clay Forms, Kenton D. Koch
The Nature of Significant Images, D. Paul Noah
Lid and Body Relationship to Wheel-Thrown Forms, Frank William Petersilie
Combining Hand-Built and Wheel-Thrown Elements in Clay Expression, Russell Schmaljohn
Subjective Symbolism in Painting, Dennis Thompson
The Alteration of Man-Made and Natural Forms Through the Use of Photomontage, Virginia A. Zimmerman
Theses from 1967
Relating Varied Ceramic Forms Through Surface Treatment, Vernon Lee Brejcha
Experiencing Art: A Curriculum Guide for the Elementary Schools of the Dominican Sisters, Mary Rebecca Otter Sr.
The Search for a Synthetic Structured Image, Gerald R. Richards
Relating Humanistic, Organic Forms to New Materials and Methods in Sculpture, Mary Francis Sinclair
Theses from 1966
Space Relationship in Form Incorporation Iconic Interpretations to Metal Sculpture, Jack E. Alumbaugh
Plastic Expression: Color, Image, Idea, Don A. Bass
Design in Wood Sculpture and Ceramic Forms from the Potters Wheel, Derrill Lee Castor
A Study in Graphic Techniques, Marie L. Dwyer
Kansas Landscapes Through Water Color Techniques, Gertrude E. Furney
Surface Variation of Wheel-Thrown Forms, Roger N. Hinz
Idea and Technique: "The Necklace", Betty R. Hochman
The Use of Form Relating to the Spiritual Humanistic Qualities of Sculpture, Alfred J. Kober
Continuity Between Glazes and Surface Patterns, Gary L. Kroeger
Color in Relation to Form, Kathleen A. Kuchar
The Development of a Stronger Consistency Between Form and Content in Cast Metal Sculpture, Jean Louise Langenheder
Creative and Inexpensive Printmaking Techniques for Use in High Schools and Small Colleges, Derrill M. Maxwell
An Approach to Landscape Paintings: Watercolor, Thomas Alan Nevills
Techniques in Acrylic Paint, Gerald Pabst
