Art & Design Graduate Catalogs
Theses from 1973
Creative Expressions Exploring Relationships of Angular and Organic Clay Forms, Virginia L. Johnson
The Human Figure Used as a Visual Expression of Fantasy, Kaylene Karban
Importance of Textural Effects to Painting, Max L. King
Of What Is and What Never Should Be, Bud J. Lawson
An Exploration of Contrasts in Clay, Wood, Fibers, and Plexiglass, Douglas Peck
A Search for Visual Meaning Using Linear Construction and an Exaggerated Palette, Shan Salter
Form in Stone, Spencer L. Smith
Floor Based and Suspended Compositions Combining Clay and Natural Fibers, Peggy Turner
Theses from 1972
Movement and Rhythm in Sculptural Form, Jean G. Brenner
Human Form in Painting, V. Colleen Delp
Study of Organic and Inorganic Harmony, Alan Detrich
The Figure in Painting: A Metaphysical Study, Marsha Finney
The Compositional Synthesis of Line and Color Expanses in Painting, George R. Grizzell
Slab and Handbuilt Constructions in Clay, Pauline Hayes
Painting: Variations in a Direct Lyrical and Formal Approach, Agnes L. Nye
Interrelationship of Handbuilt Clay Forms, Kim D. Pennington
Exploring Spontaneous Surfaces in Contrast to Clay Slab Forms, Raymond Reifsteck
Relating Wheel Thrown and Hand Built Clay Forms, Michael Schlyer
Graphic Inherencies of an Expanded Painting Medium, Peggy K. Thompson
Theses from 1971
Compositional and Color Sensitivity in Abstract Painting, Teresa Ankenman
Techniques: Collage and Hodge-Podge, Margaret A. Bair
Painting and Structure, Lewis P. Brown
Triangular Mediation as an Approach to Creative Activity, Sharon C. Cairns
Ideas in Clay Incorporating Slab and Coil Forming Methods, Gerald W. Doerfler
The Graphic Mind, Deborah Eckart
