Art & Design Graduate Catalogs
Theses from 1970
The Evolution of Imagery Through the Use of New Materials, Carolyn J. Faseler
Expressing Conceptions Through Experimental Variations of Welded Techniques, Vearl Ferguson
Techniques and Problems in Fluorescent Color, Lynn B. Havel
The Depiction of the Human Form in Drawing, Ann C. Hefty
Photography as a Fine Art, Robert E. Hottman
The Technical Aspect of Materials Used in Creating an Illusive Visual Experience, Larry K. Huffman
Controlling Indirect Techniques in Painting, Michael F. Jilg
Forms in Clay Which Combine the Human Figure with Thrown and Handbuilt Settings, Dennis G. Kirchmann
Inward Symbolism and Outer Reality, Ronald G. Medley
Hollow Ware and Jewelry Design with Emphasis on the Construction Method, Neil A. Nulton
Direct Carving in Wood Emphasizing Line and Shape, Charles E. Schanou
Intricate and Delicate Design in Drawing, Judy Schultz
Reality and Actualism, Harold Waldrum
The Creative Experience As A Continuing Activity, Jimmie Lee Williams
Pieces of Time, Phillip Yearout
Theses from 1969
Prairie, James L. Callahan
Raising Copper and Silver Forms by the Modified English Method, Clinton J. Leon
Painting Techniques in Collage and Montage, Calvin L. Mahin
Expression in Rectangular Ceramic Forms with Incised and Applied Surfaces, Donald C. McCance
Experimentation in Closed Joined Slab Stoneware Constructions, Dennis L. Mitchell
Exploring Improbable Matching Materials in Experimental Sculpture, Dan K. Price
Diversification of Watercolor Through the Use of a Variety of Materials, William A. Priddy
Experiments in Glaze Over Acrylic Colors, Marie Swisher
Creative Expression Through the Use of Clay Applied to the Surface of Wheel Thrown Ceramic Forms, Thomas K. Willis
Theses from 1968
Paint and Planimetrics, George D. Burke
