Art & Design Graduate Catalogs
Theses from 1970
The Technical Aspect of Materials Used in Creating an Illusive Visual Experience, Larry K. Huffman
Controlling Indirect Techniques in Painting, Michael F. Jilg
Forms in Clay Which Combine the Human Figure with Thrown and Handbuilt Settings, Dennis G. Kirchmann
Inward Symbolism and Outer Reality, Ronald G. Medley
Hollow Ware and Jewelry Design with Emphasis on the Construction Method, Neil A. Nulton
Direct Carving in Wood Emphasizing Line and Shape, Charles E. Schanou
Intricate and Delicate Design in Drawing, Judy Schultz
Reality and Actualism, Harold Waldrum
The Creative Experience As A Continuing Activity, Jimmie Lee Williams
Pieces of Time, Phillip Yearout
Theses from 1969
Prairie, James L. Callahan
Raising Copper and Silver Forms by the Modified English Method, Clinton J. Leon
Painting Techniques in Collage and Montage, Calvin L. Mahin
Expression in Rectangular Ceramic Forms with Incised and Applied Surfaces, Donald C. McCance
Experimentation in Closed Joined Slab Stoneware Constructions, Dennis L. Mitchell
Exploring Improbable Matching Materials in Experimental Sculpture, Dan K. Price
Diversification of Watercolor Through the Use of a Variety of Materials, William A. Priddy
Experiments in Glaze Over Acrylic Colors, Marie Swisher
Creative Expression Through the Use of Clay Applied to the Surface of Wheel Thrown Ceramic Forms, Thomas K. Willis
Theses from 1968
Paint and Planimetrics, George D. Burke
The Creative Experience of Moving Forms and Colors in Tension as Executed in Wool, for a Wall Hanging or Rug, Margaret Burtscher
The Importance of Bold Flat Surfaces in Relation to Areas of Protrusion, Dennis L. Chegwidden
The Use of Form as a Point of Departure in the Creation of Organic Sculpture, Leo Joe DuBois
Expressions in Multiple Hand-Built Clay Forms, Sharon E. Du Pont
Harmony Between Mechanical and Organic Relationships in Painting, Douglass L. Freed
