Art & Design Graduate Catalogs
Theses from 1966
Color in Relation to Form, Kathleen A. Kuchar
The Development of a Stronger Consistency Between Form and Content in Cast Metal Sculpture, Jean Louise Langenheder
Creative and Inexpensive Printmaking Techniques for Use in High Schools and Small Colleges, Derrill M. Maxwell
An Approach to Landscape Paintings: Watercolor, Thomas Alan Nevills
Techniques in Acrylic Paint, Gerald Pabst
The Figure as a Form in Cast Metal, Crawford Lee Russell
The Development and Co-ordination of Ceramic Forms and Surface Decorations, Dennis Southwick
Creative Forms, Wheel Thrown, James P. Vandergriff
Wood as a Sculptural Medium for Developing the Human Figure, Dorothy Verschueren
Significance of Texture in Ceramic Design, Enola Von Lintel
Theses from 1965
The Relationship of Surface and Form in Sculpture and the Relationship of Weight and Form in Stoneware, Dale Ficken
The Importance of Drawing Pastel, Watercolor, and Sculpture Reliefs, Ben H. Norton
Watercolor as a Medium of Creative Expression, Mary Luke Shouse Sr.
The Importance of the Human Image in Sculpture, Thomas W. Thornburgh
The Emotional Impact of Color in Painting, David L. Vandegrift
Theses from 1964
The Use of Colored Chalk as a Painting Medium, Harriet Loevenguth Becker
An Experimental Investigation of the Processes and Techniques Employed in Painting, Julie Mei Jan Chu
Chromatic Commentaries in Oil Paint, Frank E. Evans
The Significance of Realism in Sculpture, Omer A. Knoll
Expressing the Human Figure in the Lost Wax Technique, John L. Mayer
Variations Upon the Theme of Mother and Child, Sally S. Meadows
Studies of Human Forms Carved on Non-Kiln Dried Wood, Anne Putuhena-Johnson
Theses from 1963
Variations of Ceramic Forms from the Potters Wheel, Jim Bornemann
An Experimental Investigation of the Processes and Techniques Employed in the Woodcut, Etching, and Aquatint, Dorothy A. Cornwell
The Autonomy of Line, Delores E. Euler
