Master's Theses

Department

Art

Degree Name

Master of Arts (MA)

Abstract

The development of the formal qualities of a work of art takes place in the feelings of the artist, and it is only through our feelings that we are able to truly observe them. The presentation of a piece is not enough; as an artist, I feel that the visual observation without a response is worse than a negative reaction. Simple observation alone is a failure to perceive feelings; without reaction, positive or negative, one's feeling for a piece have yet to be touched and perception is soon lost. In my work, I strive to achieve feelings. I release my own, attempting to use visual signs to convey ideas and emotional experiences. Although I enjoy the procedures involved in the production of the piece and even if I am satisfied with the piece, I hesitate to accept the results unless others react. Without a reaction, I question whether I have conveyed my feelings or developed any for the observer, and the possibilities of further involvement are retarded. I am not saying that every art piece should be an intellectual problem revolving around one central theme; rather that in order for my work to be successful, feelings should be generated.

Keywords

Metalworking, Modeling (Sculpture), Creative ability, Fort Hays State University, Precision casting, Bronze founding, Human body

Advisor

Dale Ficken

Date of Award

Fall 1971

Document Type

Thesis - campus only access

Rights

© The Author(s)

Comments

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