Art & Design Master's Theses
 
The Art & Design Master's Theses Collection contains manuscripts written by Fort Hays graduate students. Due to copyright restrictions some works are limited to on-campus access only. Please contact ScholarsRepository@fhsu.edu for questions regarding access to individual works.

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Theses from 1970

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The Depiction of the Human Form in Drawing, Ann C. Hefty

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Photography as a Fine Art, Robert E. Hottman

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The Technical Aspect of Materials Used in Creating an Illusive Visual Experience, Larry K. Huffman

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Controlling Indirect Techniques in Painting, Michael F. Jilg

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Forms in Clay Which Combine the Human Figure with Thrown and Handbuilt Settings, Dennis G. Kirchmann

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Inward Symbolism and Outer Reality, Ronald G. Medley

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Hollow Ware and Jewelry Design with Emphasis on the Construction Method, Neil A. Nulton

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Direct Carving in Wood Emphasizing Line and Shape, Charles E. Schanou

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Intricate and Delicate Design in Drawing, Judy Schultz

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Reality and Actualism, Harold Waldrum

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The Creative Experience As A Continuing Activity, Jimmie Lee Williams

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Pieces of Time, Phillip Yearout

Theses from 1969

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Prairie, James L. Callahan

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Raising Copper and Silver Forms by the Modified English Method, Clinton J. Leon

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Painting Techniques in Collage and Montage, Calvin L. Mahin

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Expression in Rectangular Ceramic Forms with Incised and Applied Surfaces, Donald C. McCance

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Experimentation in Closed Joined Slab Stoneware Constructions, Dennis L. Mitchell

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Exploring Improbable Matching Materials in Experimental Sculpture, Dan K. Price

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Diversification of Watercolor Through the Use of a Variety of Materials, William A. Priddy

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Experiments in Glaze Over Acrylic Colors, Marie Swisher

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Creative Expression Through the Use of Clay Applied to the Surface of Wheel Thrown Ceramic Forms, Thomas K. Willis

Theses from 1968

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Paint and Planimetrics, George D. Burke

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The Creative Experience of Moving Forms and Colors in Tension as Executed in Wool, for a Wall Hanging or Rug, Margaret Burtscher

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The Importance of Bold Flat Surfaces in Relation to Areas of Protrusion, Dennis L. Chegwidden

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The Use of Form as a Point of Departure in the Creating of Organic Sculpture, Leo Joe DuBois

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Expressions in Multiple Hand-Built Clay Forms, Sharon E. Du Pont

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Harmony Between Mechanical and Organic Relationship in Painting, Douglass L. Freed

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Expression Through Combinations of Metal and Clay, Donald R. Kelly

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Expression in Joined Construction Wheel Thrown Clay Forms, Kenton D. Koch

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The Nature of Significant Images, D. Paul Noah

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Lid and Body Relationship to Wheel Thrown Forms, Frank William Petersilie

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Combining Hand-Built and Wheel Thrown Elements in Clay Expression, Russell Schmaljohn

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Subjective Symbolism in Painting, Dennis Thompson

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The Alteration of Man-Made and Natural Forms Through the Use of Photomontage, Virginia A. Zimmerman

Theses from 1967

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Relating Varied Ceramic Forms Through Surface Treatment, Vernon Lee Brejcha

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Experiencing Art: A Curriculum Guide for the Elementary Schools of the Dominican Sisters, Mary Rebecca Otter

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The Search for a Synthetic Structured Image, Gerald R. Richards

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Relating Humanistic, Organic Forms to New Materials and Methods in Sculpture, Mary Francis Sinclair

Theses from 1966

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Space Relationship in Form Incorporation Iconic Interpretations to Metal Sculpture, Jack E. Alumbaugh

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Plastic Expression: Color, Image, Idea, Don A. Bass

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Design in Wood Sculpture and Ceramic Forms from the Potters Wheel, D. Lee Castor

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A Study in Graphic Techniques, Marie L. Dwyer

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Kansas Landscapes Through Water Color Techniques, Gertrude E. Furney

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Surface Variation of Wheel-Thrown Forms, Roger N. Hinz

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Idea and Technique: "The Necklace", Betty R. Hochman

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The Use of Form Relating to the Spiritual Humanistic Qualities of Sculpture, Alfred J. Kober

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Continuity Between Glazes and Surface Patterns, Gary L. Kroeger

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Color in Relation to Form, Kathleen A. Kuchar

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The Development of a Stronger Consistency Between Form and Content in Cast Metal Sculpture, Jean Louise Langenheder

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Creative and Inexpensive Printmaking Techniques for Use in High Schools and Small Colleges, Derrill Maxwell

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An Approach to Landscape Paintings: Watercolor, Thomas Alan Nevills

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Techniques in Acrylic Paint, Gerald Pabst

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The Figure as a Form in Cast Metal, Crawford Lee Russell

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The Development and Co-Ordination of Ceramic Forms and Surface Decorations, Dennis Southwick

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Creative Forms, Wheel Thrown, James P. Vandergriff

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Wood as a Sculptural Medium for Developing the Human Figure, Dorothy Verschueren

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Significance of Texture in Ceramic Design, Enola Enola Von Lintel

Theses from 1965

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The Relationship of Surface and Form in Sculpture and the Relationship of Weight and Form in Stoneware, Dale Ficken

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The Importance of Drawing Pastel, Watercolor, and Sculpture Reliefs, Ben H. Norton

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Watercolor as a Medium of Creative Expression, Mary Luke Shouse

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The Importance of the Human Image in Sculpture, Thomas W. Thornburgh

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The Emotional Impact of Color in Painting, David L. Vandegrift

Theses from 1964

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The Use of Colored Chalk as a Painting Medium, Harriet Loevenguth Becker

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An Experimental Investigation of the Processes and Techniques Employed in Painting, Julie Mei Jan Chu

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Chromatic Commentaries in Oil Paint, Frank E. Evans

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The Significance of Realism in Sculpture, Omer A. Knoll

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Expressing the Human Figure in the Lost Wax Technique, John L. Mayer

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Variations Upon the Theme of Mother and Child, Sally S. Meadows

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Studies of Human Forms Carved on Non-Kiln Dried Wood, Anne Putuhena-Johnson

Theses from 1963

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Variations of Ceramic Forms from the Potters Wheel, Jim Bornemann

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An Experimental Investigation of the Processes and Techniques Employed in the Woodcut, Etching, and Aquatint, Dorothy A. Cornwell

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The Autonomy of Line, Delores E. Euler

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Ceramic Design and Ornamentation, Dick Fisher

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Development of Form and Ornamentation of Handbuilt Ceramics, Howard Galen Flora

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Drawing as a Means of Expression, Sue F. Gwynn

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Ceramic Design : The Trapped Air Technique, Jon Hartman

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Experiments in Techniques in Metal Enameling, Ethel M. Hooper

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Expressive Form in Cast Sculpture, William J. Leach

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Exploration and Development of Ideas Through Refinements of Ceramic and Drawing Processes and Techniques, Eleanor Zohner

Theses from 1962

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Creative Expression in Ceramic Design, Eleanor Miller

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Creative Sculpture Experience, Archie Warren Shepard

Theses from 1961

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Metamorphic Expressions in Metal, Robert H. Chism

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Constructivism in Lost Wax, Gary E. Coulter

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Visual Comments in Watercolor Media, Harold B. Helwig

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Creative Personality in Oil Painting, Peter Perdaris

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Abstract Expressionism: An Adventure in Ambiguous Painting, Ellen Saunders

Theses from 1960

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Creative Visual Expression in Painting, Arnold D. Flesher

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Creative Expression in Sculpture and Ceramic Forms, Paul A. Friesen

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Unique Content in Painting, Elmer Holzrichter

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Creative Expression in Built-Up Clay, Darrell McGinnis

Theses from 1959

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Creative Experimentation with Enamel in Jewelry, Diedra Burandt

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Experimentation in Painting, Jack Karraker

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Explorations in Painting, Keith Lowry

Theses from 1958

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The Creating of Sculpture: An Abstract, Jim Hinkhouse

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Experiments in Painting, Glen Howerton

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Expressions in Sculpture, Bill Shipman

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Problems in Developing Water Colors, Esther Workman

Theses from 1955

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Teaching Three-Dimensional Form, Albert Jack Teeters

Theses from 1938

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Pottery Making Possibilities of The Clays of Ellis County, Kansas, John M. Strange

Theses from 1937

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Trends In Elementary and Secondary School Art As Revealed In Selected Art Periodicals In The Field Since 1920, Drew A. Dobosh