Modern Languages Faculty Publications
 

Abstract

Brecht and Weill's Aufstieg und Fall der Stadt Mahagonny stages operatic self-critique. The dynamics and consequences of spectatorship/listenership are displayed, revealing how opera is always at once "culinary" and critical.

Document Type

Article

Source Publication

Brecht Yearbook

Version

Accepted Version

Publication Date

1-1-2004

Volume

29

First Page

223

Last Page

236

Rights

Notice: This material may be protected by copyright law (Title 17 U.S. Code).

Comments

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