Submissions from 2023
Jargon of Authenticity in the Chilean Conservatism: Reactionarism, National Fantasies and Military Fascism (1902-1980), Claudio Aguayo-Borquez
The flaneur in the Borsig locomotive works: Walter Benjamin, the Berlin Radio Youth Hour, and sound as pedagogy, Kevin S. Amidon
Language for Specific Purposes: Using Hispanic Films and Current Hispanic Issues to Teach Specific Vocabulary and context related to the Professions Online, Chita Espino-Bravo Ph.D.
Teaching Hispanic Culture, Diversity, and Tolerance through Hispanic Dances and Music: Two Approaches for Flamenco & Caribbean Dances, Chita Espino-Bravo Ph.D. and D. Nicole English
Submissions from 2022
Metaphors of Spanish Culture in Flamenco, Gender Roles and Gender Issues: Modern Metaphors to Understand Some Traditional Female Flamenco Movements and Steps, Chita Espino-Bravo Ph.D.
Submissions from 2021
Today, Tomorrow, and In-Between: Straub/Huillet, the Schoenbergs, and the Gendered Micropolitics of Operatic Performance in Von heute auf morgen, Kevin S. Amidon Ph.D.
Submissions from 2019
The Performance of Racialized Bodies and Brecht’s Operatic Anthropology, Kevin S. Amidon Ph.D.
Submissions from 2017
Per Scientiam ad Justitiam: Magnus Hirschfeld's Episteme of Biological Publicity, Kevin S. Amidon Ph.D.
The Body Ontology of Capitalism, Daniel Krier and Kevin S. Amidon Ph.D.
Submissions from 2016
Afterword: Gesamtkunstwerk as Epistemic Space, Kevin S. Amidon Ph.D.
Easing the Encumbered Subject: Security, Speculation, and Capitalist Subjectivity, Kevin S. Amidon Ph.D. and Daniel Krier
Submissions from 2015
Critical Theory and the Limits of Academic Economics: Resolving the Political in Piketty’s Capital in the Twenty-First Century, Daniel Krier and Kevin S. Amidon Ph.D.
Submissions from 2013
Beyond the Straight State: On the Borderlands of Sexuality, Ethnicity, and Nation in the United States and Europe, Kevin S. Amidon Ph.D.
Intersexes and Mixed Races: Visuality, Narrative, and "Bastard" Identity in Early Twentieth-Century Germany', Kevin S. Amidon Ph.D.
Submissions from 2009
On Rereading Klaus Theweleit's Male Fantasies, Kevin S. Amidon Ph.D. and Daniel Krier
Submissions from 2008
“Diesmal fehlt die Biologie!” Max Horkheimer, Richard Thurnwald, and the Biological Prehistory of German Sozialforschung, Kevin S. Amidon Ph.D.
Sex on the brain: The rise and fall of German sexual science, Kevin S. Amidon Ph.D.
The Visible Hand and the New American Biology: Toward an Integrated Historiography of Railroad-Supported Agricultural Research, Kevin S. Amidon Ph.D.
What Happens to Countess Geschwitz? Revisiting Homosexuality in Horkheimer and Adorno, Kevin S. Amidon Ph.D.
Submissions from 2007
Carrie Chapman Catt and the Evolutionary Politics of Sex and Race, 1885-1940, Kevin S. Amidon Ph.D.
Submissions from 2004
‘Oh show us....’: Opera and/as Spectatorship in Aufstieg und Fall der Stadt Mahagonny, Kevin S. Amidon Ph.D.
