This collection contains research published or presented by departmental faculty. All submissions are subject to applicable copyright restrictions. For questions contact ScholarsRepository@fhsu.edu

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Submissions from 2023

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Jargon of Authenticity in the Chilean Conservatism: Reactionarism, National Fantasies and Military Fascism (1902-1980), Claudio Aguayo-Borquez

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The flaneur in the Borsig locomotive works: Walter Benjamin, the Berlin Radio Youth Hour, and sound as pedagogy, Kevin S. Amidon

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Language for Specific Purposes: Using Hispanic Films and Current Hispanic Issues to Teach Specific Vocabulary and context related to the Professions Online, Chita Espino-Bravo Ph.D.

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Teaching Hispanic Culture, Diversity, and Tolerance through Hispanic Dances and Music: Two Approaches for Flamenco & Caribbean Dances, Chita Espino-Bravo Ph.D. and D. Nicole English

Submissions from 2022

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Metaphors of Spanish Culture in Flamenco, Gender Roles and Gender Issues: Modern Metaphors to Understand Some Traditional Female Flamenco Movements and Steps, Chita Espino-Bravo Ph.D.

Submissions from 2021

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Today, Tomorrow, and In-Between: Straub/Huillet, the Schoenbergs, and the Gendered Micropolitics of Operatic Performance in Von heute auf morgen, Kevin S. Amidon Ph.D.

Submissions from 2019

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The Performance of Racialized Bodies and Brecht’s Operatic Anthropology, Kevin S. Amidon Ph.D.

Submissions from 2017

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Per Scientiam ad Justitiam: Magnus Hirschfeld's Episteme of Biological Publicity, Kevin S. Amidon Ph.D.

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The Body Ontology of Capitalism, Daniel Krier and Kevin S. Amidon Ph.D.

Submissions from 2016

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Afterword: Gesamtkunstwerk as Epistemic Space, Kevin S. Amidon Ph.D.

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Easing the Encumbered Subject: Security, Speculation, and Capitalist Subjectivity, Kevin S. Amidon Ph.D. and Daniel Krier

Submissions from 2015

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Critical Theory and the Limits of Academic Economics: Resolving the Political in Piketty’s Capital in the Twenty-First Century, Daniel Krier and Kevin S. Amidon Ph.D.

Submissions from 2013

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Beyond the Straight State: On the Borderlands of Sexuality, Ethnicity, and Nation in the United States and Europe, Kevin S. Amidon Ph.D.

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Intersexes and Mixed Races: Visuality, Narrative, and "Bastard" Identity in Early Twentieth-Century Germany', Kevin S. Amidon Ph.D.

Submissions from 2009

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On Rereading Klaus Theweleit's Male Fantasies, Kevin S. Amidon Ph.D. and Daniel Krier

Submissions from 2008

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“Diesmal fehlt die Biologie!” Max Horkheimer, Richard Thurnwald, and the Biological Prehistory of German Sozialforschung, Kevin S. Amidon Ph.D.

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Sex on the brain: The rise and fall of German sexual science, Kevin S. Amidon Ph.D.

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The Visible Hand and the New American Biology: Toward an Integrated Historiography of Railroad-Supported Agricultural Research, Kevin S. Amidon Ph.D.

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What Happens to Countess Geschwitz? Revisiting Homosexuality in Horkheimer and Adorno, Kevin S. Amidon Ph.D.

Submissions from 2007

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Carrie Chapman Catt and the Evolutionary Politics of Sex and Race, 1885-1940, Kevin S. Amidon Ph.D.

Submissions from 2004

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‘Oh show us....’: Opera and/as Spectatorship in Aufstieg und Fall der Stadt Mahagonny, Kevin S. Amidon Ph.D.