Art & Design Master's Theses
 
The Art & Design Master's Theses Collection contains manuscripts written by Fort Hays graduate students. Due to copyright restrictions some works are limited to on-campus access only. Please contact ScholarsRepository@fhsu.edu for questions regarding access to individual works.

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Theses from 2017

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Behind Her Eyes, Lauren Baird

Theses from 1976

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Exploration of the Human Form in Painting and Drawing, Frank A. Arnhold

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Clay Forms with Related Tubular Extensions, Jerry T. Barnes

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Research of Techniques and Styles of Individual Artists and a Study of the Effects, Timothy Flagler

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Intaglio Prints Tinted and Otherwise Enhanced by the Utilization of Color, Rolland E. Goreham

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Variations of the Human Form in Clay Slab Form, Anita F. Lefevere

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Reflections on My Art, Stephen Stramel

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Shadow Manifestations, Mary Ann Tanking

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Images of Man's Reason in Space and Nature, Warren L. Taylor

Theses from 1975

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Recent Paintings, Jarel E. Kledis

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Variations of Primordial Forms, James A. Mages

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Information on Triad Construction Forms, Thomas Niemeyer

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Combining Traditional Thai Imagery with Contemporary Imagery in Prints, Pongsak Sirirat

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The Combination of Animal and Organic Forms in Wood, Charles L. Stevens

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Exploring Organic and Appendant Clay Form, Linda Willis

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Impressions in Serigraphy, Calvin E. Wineland

Theses from 1974

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Metamorphosis to a Hollow Form, Juliet Hess Adolph

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The Landscape Image on the Ceramic Surface and Various Selective Sculptural Materials, Greg Brantman

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Curvilinear-organic shapes and their use realistically and non-objectively, Bonner Charles

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An awareness of existence, David E. Cross

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Stopping the world the only way I know how, Jeffrey Charles Daniels

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An imaginative interplay of abstract and literal images related to landscapes and rural themes, Virgil Deges

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Studies in figurative wood sculpture, Kraig Dexter

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Composition and movement in abstract and figurative painting, Kris Dexter

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A relationship of idea and technique, Floyd Gibson

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Mechanicalism and humanism in a sculptural form., Howard D. Jacobson II

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The interaction of transparency in serigraph, Mary Kriegel

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Exploration of figurative and social statements., Arlene Leikam

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Variations of the torso in a sculptural form., Clayton James Meier

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Humanized container forms in clay which explore a contrast between thrown and handbuilt techniques, Elden G. Solt

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Identities in life works, Patrick Treu

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Art Therapy: a selective psychotherapeutic sample, Kent Von Schriltz

Theses from 1973

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Paintings: Aspects of Figure Theme in Paintings, Eloise Bean

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An Intuitive Approach to Manifestation of Visual Imagery, Barbara Boyd

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Line, Symbolism and the Human Figure, John B. Braden

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Capturing the Final Image, Kenneth Alan Broky

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Plexiglass and Light, Parvis V. Farahnak

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The Familiar : An Artist, Through Personal Observation and Experience, Comments on Agriculture, Ecology, Conservation, Historical Remnants, People, Places, and Things, Thelma K. Hull

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Creative Expressions Exploring Relationships of Angular and Organic Clay Forms, Virginia L. Johnson

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The Human Figure Used as a Visual Expression of Fantasy, Kaylene Karban

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Importance of Textural Effects to Painting, Max L. King

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Of What Is and What Never Should Be, Bud J. Lawson

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An Exploration of Contrasts in Clay, Wood, Fibers, and Plexiglass, Douglas Peck

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A Search for Visual Meaning Using Linear Construction and an Exaggerated Palette, Shan Salter

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Form in Stone, Spencer L. Smith

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Floor Based and Suspended Compositions Combining Clay and Natural Fibers, Peggy Turner

Theses from 1972

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Movement and Rhythm in Sculptural Form, Jean G. Brenner

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Human Form in Painting, V. Colleen Delp

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Study of Organic and Inorganic Harmony, Alan Detrich

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The Figure in Painting: A Metaphysical Study, Marsha Finney

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The Compositional Synthesis of Line and Color Expanses in Painting, George R. Grizzell

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Slab and Handbuilt Constructions in Clay, Pauline Hayes

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Painting: Variations in a Direct Lyrical and Formal Approach, Agnes L. Nye

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Interrelationship of Handbuilt Clay Forms, Kim D. Pennington

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Exploring Spontaneous Surfaces in Contrast to Clay Slab Forms, Raymond Reifsteck

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Relating Wheel Thrown and Hand Built Clay Forms, Michael Schlyer

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Graphic Inherencies of an Expanded Painting Medium, Peggy K. Thompson

Theses from 1971

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Compositional and Color Sensitivity in Abstract Painting, Teresa Ankenman

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Techniques: Collage and Hodge-Podge, Margaret A. Bair

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Painting and Structure, Lewis P. Brown

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Triangular Mediation as an Approach to Creative Activity, Sharon C. Cairns

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Ideas in Clay Incorporating Slab and Coil Forming Methods, Gerald W. Doerfler

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The Graphic Mind, Deborah Eckart

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The Progression of Light and Planes in Space, James R. Estes

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Expressing Conceptions Through Experimental Variations of Welded Techniques, Vearl Ferguson

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Variations of the Addition of Thrown Forms to a Built-Up Form, P. Terry Gieber

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Function Versus Form : The Dichotomy of Sculptural Aesthetics, Michael F. Livingston

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Discovering and Controlling Resist Methods as Related to Personal Fantasy Images, Marilyn L. Locke

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Effectiveness of Programmed Instruction as an Aid in Diet Counseling of Adult Hospital Patients, Kathleen M. Miner

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Exploring the Relationship of Polyester Resin and Metal in a Sculptural Form, Gerald Moore

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Graphic Progression Towards Color, Robert Netherton

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The Utilization of Spatial Relationships in Composition, Jane Rice

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Evolution of Life Forms in Mixed Media Painting, Karen Schanou

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My Work, 01/01/1970-01/01/1971, Earl W. Shira

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Integration of Organic and Geometric Structural Forms, Glenn G. Simmons

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The Progressive Development of Line Control in Etching, Rita M. Smith

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The Growth of Biomorphic Forms Through Sculpture, Robert B. Thompson

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The Human Figure Expressed in a Variety of Materials and Sculptural Techniques, Allen G. Vap

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A Trip to the Garden of Eden, Joe B. Wright

Theses from 1970

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Experimental Line-Image Approach to Printmaking, Craig Calnan

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Perceptual Proposition, Lynn D. Carlsgaad

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Environmental Slab Compositions in Clay, Robert Channell

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Sculpture and Jewelry: A Statement, Conrad J. Chlumsky

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New Techniques of Spatial Illusion in Easel Painting, Paul H. Cott

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Conceptual Question Through Environmental Suspension, Phillip Lee Elder

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The Evolution of Imagery Through the Use of New Materials, Carolyn J. Faseler

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Techniques and Problems in Fluorescent Color, Lynn B. Havel

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The Depiction of the Human Form in Drawing, Ann C. Hefty

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Photography as a Fine Art, Robert E. Hottman

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The Technical Aspect of Materials Used in Creating an Illusive Visual Experience, Larry K. Huffman

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Controlling Indirect Techniques in Painting, Michael F. Jilg

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Forms in Clay Which Combine the Human Figure with Thrown and Handbuilt Settings, Dennis G. Kirchmann

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Inward Symbolism and Outer Reality, Ronald G. Medley

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Hollow Ware and Jewelry Design with Emphasis on the Construction Method, Neil A. Nulton

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Direct Carving in Wood Emphasizing Line and Shape, Charles E. Schanou

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Intricate and Delicate Design in Drawing, Judy Schultz

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Reality and Actualism, Harold Waldrum

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The Creative Experience As A Continuing Activity, Jimmie Lee Williams

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Pieces of Time, Phillip Yearout

Theses from 1969

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Prairie, James L. Callahan