Theses from 2017
Behind Her Eyes, Lauren Baird
Theses from 1976
Exploration of the Human Form in Painting and Drawing, Frank A. Arnhold
Clay Forms with Related Tubular Extensions, Jerry T. Barnes
Research of Techniques and Styles of Individual Artists and a Study of the Effects, Timothy Flagler
Intaglio Prints Tinted and Otherwise Enhanced by the Utilization of Color, Rolland E. Goreham
Variations of the Human Form in Clay Slab Form, Anita F. Lefevere
Reflections on My Art, Stephen Stramel
Shadow Manifestations, Mary Ann Tanking
Images of Man's Reason in Space and Nature, Warren L. Taylor
Theses from 1975
Recent Paintings, Jarel E. Kledis
Variations of Primordial Forms, James A. Mages
Information on Triad Construction Forms, Thomas Niemeyer
Combining Traditional Thai Imagery with Contemporary Imagery in Prints, Pongsak Sirirat
The Combination of Animal and Organic Forms in Wood, Charles L. Stevens
Exploring Organic and Appendant Clay Form, Linda Willis
Impressions in Serigraphy, Calvin E. Wineland
Theses from 1974
Metamorphosis to a Hollow Form, Juliet Hess Adolph
The Landscape Image on the Ceramic Surface and Various Selective Sculptural Materials, Greg Brantman
Curvilinear-organic shapes and their use realistically and non-objectively, Bonner Charles
An awareness of existence, David E. Cross
Stopping the world the only way I know how, Jeffrey Charles Daniels
An imaginative interplay of abstract and literal images related to landscapes and rural themes, Virgil Deges
Studies in figurative wood sculpture, Kraig Dexter
Composition and movement in abstract and figurative painting, Kris Dexter
A relationship of idea and technique, Floyd Gibson
Mechanicalism and humanism in a sculptural form., Howard D. Jacobson II
The interaction of transparency in serigraph, Mary Kriegel
Exploration of figurative and social statements., Arlene Leikam
Variations of the torso in a sculptural form., Clayton James Meier
Humanized container forms in clay which explore a contrast between thrown and handbuilt techniques, Elden G. Solt
Identities in life works, Patrick Treu
Art Therapy: a selective psychotherapeutic sample, Kent Von Schriltz
Theses from 1973
Paintings: Aspects of Figure Theme in Paintings, Eloise Bean
An Intuitive Approach to Manifestation of Visual Imagery, Barbara Boyd
Line, Symbolism and the Human Figure, John B. Braden
Capturing the Final Image, Kenneth Alan Broky
Plexiglass and Light, Parvis V. Farahnak
Creative Expressions Exploring Relationships of Angular and Organic Clay Forms, Virginia L. Johnson
The Human Figure Used as a Visual Expression of Fantasy, Kaylene Karban
Importance of Textural Effects to Painting, Max L. King
Of What Is and What Never Should Be, Bud J. Lawson
An Exploration of Contrasts in Clay, Wood, Fibers, and Plexiglass, Douglas Peck
A Search for Visual Meaning Using Linear Construction and an Exaggerated Palette, Shan Salter
Form in Stone, Spencer L. Smith
Floor Based and Suspended Compositions Combining Clay and Natural Fibers, Peggy Turner
Theses from 1972
Movement and Rhythm in Sculptural Form, Jean G. Brenner
Human Form in Painting, V. Colleen Delp
Study of Organic and Inorganic Harmony, Alan Detrich
The Figure in Painting: A Metaphysical Study, Marsha Finney
The Compositional Synthesis of Line and Color Expanses in Painting, George R. Grizzell
Slab and Handbuilt Constructions in Clay, Pauline Hayes
Painting: Variations in a Direct Lyrical and Formal Approach, Agnes L. Nye
Interrelationship of Handbuilt Clay Forms, Kim D. Pennington
Exploring Spontaneous Surfaces in Contrast to Clay Slab Forms, Raymond Reifsteck
Relating Wheel Thrown and Hand Built Clay Forms, Michael Schlyer
Graphic Inherencies of an Expanded Painting Medium, Peggy K. Thompson
Theses from 1971
Compositional and Color Sensitivity in Abstract Painting, Teresa Ankenman
Techniques: Collage and Hodge-Podge, Margaret A. Bair
Painting and Structure, Lewis P. Brown
Triangular Mediation as an Approach to Creative Activity, Sharon C. Cairns
Ideas in Clay Incorporating Slab and Coil Forming Methods, Gerald W. Doerfler
The Graphic Mind, Deborah Eckart
The Progression of Light and Planes in Space, James R. Estes
Expressing Conceptions Through Experimental Variations of Welded Techniques, Vearl Ferguson
Variations of the Addition of Thrown Forms to a Built-Up Form, P. Terry Gieber
Function Versus Form : The Dichotomy of Sculptural Aesthetics, Michael F. Livingston
Discovering and Controlling Resist Methods as Related to Personal Fantasy Images, Marilyn L. Locke
Effectiveness of Programmed Instruction as an Aid in Diet Counseling of Adult Hospital Patients, Kathleen M. Miner
Exploring the Relationship of Polyester Resin and Metal in a Sculptural Form, Gerald Moore
Graphic Progression Towards Color, Robert Netherton
The Utilization of Spatial Relationships in Composition, Jane Rice
Evolution of Life Forms in Mixed Media Painting, Karen Schanou
My Work, 01/01/1970-01/01/1971, Earl W. Shira
Integration of Organic and Geometric Structural Forms, Glenn G. Simmons
The Progressive Development of Line Control in Etching, Rita M. Smith
The Growth of Biomorphic Forms Through Sculpture, Robert B. Thompson
The Human Figure Expressed in a Variety of Materials and Sculptural Techniques, Allen G. Vap
A Trip to the Garden of Eden, Joe B. Wright
Theses from 1970
Experimental Line-Image Approach to Printmaking, Craig Calnan
Perceptual Proposition, Lynn D. Carlsgaad
Environmental Slab Compositions in Clay, Robert Channell
Sculpture and Jewelry: A Statement, Conrad J. Chlumsky
New Techniques of Spatial Illusion in Easel Painting, Paul H. Cott
Conceptual Question Through Environmental Suspension, Phillip Lee Elder
The Evolution of Imagery Through the Use of New Materials, Carolyn J. Faseler
Techniques and Problems in Fluorescent Color, Lynn B. Havel
The Depiction of the Human Form in Drawing, Ann C. Hefty
Photography as a Fine Art, Robert E. Hottman
The Technical Aspect of Materials Used in Creating an Illusive Visual Experience, Larry K. Huffman
Controlling Indirect Techniques in Painting, Michael F. Jilg
Forms in Clay Which Combine the Human Figure with Thrown and Handbuilt Settings, Dennis G. Kirchmann
Inward Symbolism and Outer Reality, Ronald G. Medley
Hollow Ware and Jewelry Design with Emphasis on the Construction Method, Neil A. Nulton
Direct Carving in Wood Emphasizing Line and Shape, Charles E. Schanou
Intricate and Delicate Design in Drawing, Judy Schultz
Reality and Actualism, Harold Waldrum
The Creative Experience As A Continuing Activity, Jimmie Lee Williams
Pieces of Time, Phillip Yearout
Theses from 1969
Prairie, James L. Callahan
